Information/EPK
Professional Information and Electronic Press Kit Details of Lilah-Rose Bell
Lilah-Rose Bell
Contact:
For enquiries and rates
Email: liyalbell97@gmail.com
Instagram: @lilahrosebell_ (via direct message)
Phone Number: Contact for Access
Cover of 'Waiting for the Axe to Fall by Gil Scott-Heron'
Funk, jazz, poetic song with techncical show and groove.
Technical Examplar
Cover of 'Dig by Mudvayne'
Heavy, intense, fast-paced song with dramatic energy.
Bass for Fraya Ofoeme at Africa Oyé Festival
Reggae-style bass supporting live vocals
Professional Session Examplar
Bass for Ferozah at Future Yard
Funk-style, time changes for live performance
Improvisation in Barcelona
A pre-performance jam reacting to the venue's environment, a personal favourite of Lilahs'
Bass for 9-5 rendition at Devafest
Country-style crowd pleaser
Bass for Lucy Ellen at Liverpool Philharmonic
Ballad-style bass for stripped-back set
Biography
Lilah-Rose Bell is a bass guitarist with session experience amongst a many of projects and performances. Whilst being prominently active in the position for approximately three years, at eighteen years old, they have undertaken a variation of roles spanning from an interest in jazz, soul, pop, funk and whatever may come their way with a specific activity amongst the local scenes in
their hometown of Liverpool whilst sessioning locally, nationally and internationally.
Experience of Lilah includes work in orchestral, band, studio, pit, function and collaborative settings showcasing an ability in adaptability and strong musical instinct in a variety of works. Examples of some of Lilah's work include work with the Liverpool Philharmonic Youth Company, LIPA, Liverpool Hip Hop Festival and a many of musical groups, communities, organisations & artists of differing genre and positioning.
The work of Lilah also spans outside of their sessioning role with established ability in
instrumental-teching, song-writing, musical & artistic curation and project contribution.
Some positions undertaken by Lilah include playing at venues and making appearances at events such as The Royal Philharmonic Hall, The Tung Auditorium, Africa Oyé, HMV Liverpool, CONTENT, District, Frederiks, Liverpool ONE, Kazimier Stockroom, the Zanzibar, The Jacaranda, Devafest, The Cavern Club, Future Yard and many more. Some would say she's been about.
Note From Lilah: Live, Laugh, Love BBs xx
Gallery
Bass Guitars:
Cort A5 Custom SP (5-string, Spalted Maple)
Cort C5 Plus OVMH (5-string Antique Brown Burst)
Ibanez GSR200B (4-string Walnut Flat)
Amplification:
Ashdown 180 EVOII (Available upon request)
IEMs:
In ear-monitoring pack and earphones available
Pedals:
Multi-Effects Board
Distortion
Envelope Filter
Looper
Instruments (Possibly Available):
Fretless Electro-Acoustic Bass Guitar
Saxophone
Electric Guitar
Electro-Acoustic Guitar
Ukulele
Personal jack-leads always provided x










